I Sugar the BonesJuana Adcock Through the porosity of the US Mexico border, Freudian slippages, and toxic relationships, poet Juana Adcock interrogates what it means to cross from one country into another the gradient spaces that inhabit the nexus between life and death, and the people and languages that sit either side of it. Ghostly glitches, the role of rivers, and the character of Lisa Simpson as voiced for the Latin American market all empower I Sugar the Bones

I grew up with dual realities

In 2018 overleed Menno Wigman

For many decades now

The Cricket fostered critical and political dialogue for Black musicians and writers

his wife Ester – a sharpshooter and keeper of all village secrets – slips into her fifth dream of the night

short creative prose and autobiographical writings

The collection is dogged for a thesis

In her lifetime

In haar verzen maakt ze vaak gebruik van herhalingen die doen denken aan muzikale hoogstandjes als Boléro van Ravel die de lezers in een wervel van beelden en ideeën meesleuren

belonging and freedom

matching the number of lines in the Greek original

God gemist