Ivor Bolton / st.James Baroque Players - J.S. Bach Concertos for Harpsichord & Strings; BWV 1052-8; ItalianConcerto BWV 971"crisp, clear sighted approach, all proceeds at a proper tempo and, where appropriate, with a spring in it's heels. The slow movements are sensitively expressive this is basically how such works would have been heard in their time, you may feel this is the way it should be The strings are 'authentic' and respectful of every element I thoroughly enjoyed this and the superb recording" "Ivor Bolton is close enough to be heard in realistic balance, (his)

she's starting to like him

a lot of work and effort and now Marlango has a new album

Kai Campos & Cj Mirra and more

staged by Tatjana Gürbaca

Violinist Elmira Darvarova (first and only woman-concertmaster of the Metropolitan Opera Orchestra) and hornist Howard Wall (a New York Philharmonic member

undeniably light in character yet powerfully authentic

The acclaimed detective series returns with more mysteries set in the uncertain days at the beginning of the Cold War

These are enthralling recordings which show a lesser-known aspect of Austrian music-making in the time of Biber

As a result of the wealth of musical styles - ranging from spoken text through Sprechgesang and recitative to fully elaborated coloratura - and of harmonic techniques - atonality

For the first time the large clavicytherium of the Germanisches Nationalmuseum (Nuremberg) - a kind of vertical harpsichord built by an anonymous German master during the late sixteenth century - is recorded here on album

The Skyliners

The entire catalog no less